The tribute for music producer Willie Mitchell attracted a diverse audience in the industry.
Above, Ashley R. Williamson of WilliamSong Music, Inc.
Celebrating the Life of a Memphis Record Producer
Willie Mitchell 1928-2010
Copy and Photos by Ben Harrison
research by Ann Perrett
© all rights reserved
F
amily, friends, fans and artists at his memorial tribute Jan. 13. used words that
left the memory of a man's presence in their lives--authentic, kind, generous humanitarian, creative,
classy, always quality. Spoken and sung, they were called up and delivered like the steady
clarion rings of a church bell. And the bell was ringing for long-time Memphis
music producer Willie Mitchell.
During most of his career Mitchell flew under the radar of popular mass recognition
that reflected the light of the big stars like Elvis, BB and Jerry Lee.
But to those in the industry worldwide, Mitchell walked a large footprint.
Already he had a successful recording career in the mid-60's even before he produced
for Al Green at Hi Records
with such hits as How Time Slips Away.
At Hi he is credited
for the "instantly recognizable 'Hi sound' (churning organ fills, sturdy horn arrangements,
a steady 4/4 drumbeat, etc.)," according to the program of the family-produced tribute
held in the sanctuary of the Hope Presbyterian Church in Memphis, TN (USA).
With two large on-stage video screens projecting speakers and performers in a sanctuary
that seats 5,000, music people gathered to speak and sing about
a man who recorded and produced six decades of Memphis music and who has been called
"the soul of the Memphis sound."
Leon Griffin, WHBQ-TV meterorologist, emceed the ceremony and told of meeting Mitchell
while working in the late 50's on WHBQ's local program Talent Party hosted George Klein.
While the Talent Party camera panned dancing teens with duck-tails, rolled up sleeves,
poodle skirts and two-tone oxfords the show featured local musicians. And one musician
on set several times was Dr. William Donati.
Says Donati, who played on Talent Party with Lawson and Four More: "An appearance on
Talent Party was a real career boost for bands. George Klein was always a friend of
local bands. We didn't play live, so groups would go to Sonic Recording on Madison Avenue,
where Roland Janes engineered for a modest fee. Memphis bands could perform on a show
with a major star like Jackie Wilson. GK was admired by local musicians and Talent Party
was always a must-see on Saturday afternoon."
(cont'd above)
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Demotix picture stories from MPPN
Elvis Week
Buddhist Temple
Celebrates
Friends Remember Memphis Record Producer Willie Mitchell
Donati
now records
in Las Vegas as well as
writes books on American culture and teaches English literature. He also has a full
production satirical
music video he made with the
writer of this article.
Solomon Burke was among the last artists (along with Rod Stewart for
which Mitchell did string and horn arrangements for Stewart's album Soul Book)
to record with
Mitchell. Burke, above, wrapped the program.
Kevin Page accompanied by
Hi Rhythm in foreground.
(Several stage shots show the projected image from video camera.)
Memphis radio DJ Henry Nelson told of working with Willie at the station.
Tom Gladney was The Rolling Stones' Keith Richards bodyguard when the group came to
Memphis in 1986 to meet Mitchell. Gladney subsequently became Mitchell's bodyguard.
Mason Reltherford, former owner of (now closed) Club Manhattan and Myron Crower, photographer.
The Hope Presbyterian Church sanctuary, which seats 5,000, has
video screens on stage and is equipped with audio and video production capability.
Willie Clayton is seen on stage through video monitors.
View from stage right
Sen. Steve Cohen (Dem) sent staff member to speak. So entertaining and personable was he
like politicians are supposed to be, amont other things, he presented Cohen's entry into
Congressional Record, we include the center shot above.
(cont'd above)
Other Willie Mitchell related links:
Ann Peebles
CNN
Commercial Appeal
Los
Angeles Times
Mark Richens Commercial Appeal blog
New York Times
Pitchfork
Rolling Stone
Willie Mitchell Groovin'
World News
Portrait artist Tony Gandy worked through the night to prepare his piece (left, 4th down) for the
ceremony.
John Fry, president of Ardent Studios, borrowed from another recently passed Memphis
musician, Jim Dickinson, saying, "I am just dead; I'm not gone.
He is much loved."
Memphis Mayor AC Wharton
Former Stax Records producer Al Bell said in an emotional, cathartic presentation how
Mitchell literally put food on his table when he, Bell, was dealing with his own personal
issues. Bell concluded, "And now I can rest and he can rest, too."
Others offering reflections were Jon Hornyak, David Porter, DJs Bobby O'Jay and
Henry Nelson and democratic politicians AC Wharton, Dr. Willie Herenton, Harold Ford, Sr.
and Rep. Michael Cohen. Both city and state presented proclamations. Rep. Cohen
entered remarks into the Congressional Record. His office sent a representative.
From the family of Memphis Politicos, former US Representative
Harold Ford, Sr.
Live music was performed by Minivan, Don Bryant, Hi Rhythm, Kevin Page,
Preston Shannon,
J. Blackfoot,
Willie Clayton,
Otis Clay and Solomon Burke.
Singers John Mayer and Steve Jordan made remarks on tape. Other taped
portions included Mitchell receiving the Trustee's Award at the 50th Grammy's Award in 2008. Singer Robert Cray sent a telegram.
Former Memphis Mayor
Dr. Willie Herrenton
in low key remarks said he knew Willie Mitchell growing up in South Memphis.
Dressing well and always speaking correctly, the latter remembered by his son, Lawrence "Boo" Mitchell, in final remarks, flanked by his many grandchildren.
"And what did we always say when we saw Poppa?" he asked them.
"We love you, Poppa!" they shouted.
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